'SORCERESS' on BD/DVD, and erotic biker movie 'BAD, BAD, GANG!' on DVD In June

SORCERESS (1994) 

Label: Synapse Films
Release Date: June 14th 2016
Refion: Region-FREE

Duration: 89 Minutes
Rating: Not Rated 

Video: 1080p HD Widescreen (1.78:1)

Audio: English DTS-HD MA 2.0 Stereo with English SDH
Production year: 1994 Genre: Horror
Director: Jim Wynorski
Cast: Linda Blair, Julie Strain, Michael Parks, Edward Albert

SYnopsis: Larry Barnes (Larry Poindexter) is on the fast track to a partnership in a prestigious law firm, and his sexy witch wife Erica (Julie Strain, HEAVY METAL 2000) will do anything to keep her husband happy. But Erica makes a fatal mistake when she tries to kill Larry's main competition for the partnership, Howard Reynolds (Edward Albert, GALAXY OF TERROR). With Howard now crippled for life from Erica's dark magic, his wife Amelia (Linda Blair, THE EXORCIST) plots her revenge. Using witchcraft and a mystical medallion, Amelia tries to destroy everyone and everything in Larry's life! All the pleasures of the flesh and malevolence of black magic collide in this newly remastered and uncensored version of Jim Wynorski's SORCERESS (aka TEMPTRESS). Presented for the first time ever from a new 2K scan of the original uncut film element, this release features sex scene footage and additional nudity removed from the original release.

Bonus Features:
- Audio Commentary with Director Jim Wynorski
- Additional Audio Commentary with Director Jim Wynorski and SPFX Artist/Actor/Director, Tom Savini

BAD, BAD, GANG! (1972) 

Label: Impulse Pictures

Release Date: June 4th 2016 

Region: Region-FREE

Duration: 62 Minutes

Rating: Not Rated 

Video: Full Screen (1.33:1)

Audio: English  Dolby Digital Mono 

Director: Jon Donne

Cast: Rene Bond, Ric Lutze, Andy Bellamy, Nancy Martin, Suzanne Fields

Synopsis: Two couples (Eve, Jane, Kane and Able!!!) head out in their trailer to the Garden of Eden campsite for a weekend of fun, sun, and sex. Unfortunately for them, the violent biker gang "The Cobras" is nearby and immediately makes trouble for our unfortunate campers who'd much rather be swimming, fishing, or playing topless solitaire. When Eve is assaulted and kidnapped after skinny-dipping in Lake Shangri-La, the others try to find her only to get captured themselves! What follows is trademark 70s sleaze! In an isolated cave equipped with an air mattress the girls are drugged and violated, the men are tied up, and it all ends in a violent, bloody confrontation with tomahawk wielding biker chicks that comes completely out of nowhere. A classic "grindhouse" roughie from the early 1970s, this version of BAD, BAD, GANG! is presented here in one of the most complete versions ever available on home video, containing additional sex scenes removed from general release prints.

Bonus Features:

- Sneak Peek at Impulse Pictures' 42nd Street Peep Show Collection Series

'CONSUMPTUION' Hacks Up A New Poster and Trailer Ahead of Summer Release

CONSUMPTION (2014) 

WildEye Releasing has released a new trailer and artwork for Brandon Scullion's debut feature, Consumption. Since the world premiere on the festival circuit, Consumption has been praised by critics. Famous Monsters described the feature as "gruesome goulash of ghosts, cults, and good ol' demons". WildEye plans to release Consumption on DVD and Digital HD in July

A group of friends travel to the snowy Utah mountains for a weekend retreat. One brings with him a dark secret that could destroy their lives forever. As they prepare to face an ancient secret buried in the woods outside their winter resort, an unstoppable evil begins to grow, consuming them one by one. Consumption (Official Trailer)

'The Damned - Don't You Wish That We Were Dead' coming to DVD/BD on May 20th via MVD Entertainment Group

THE DAMNED - DON'T YOU WISH THAT WE WERE DEAD 

coming to home video on May 20th via MVD Entertainment Group

Featuring Chrissie Hynde, Dave Gahan, Lemmy, Mick Jones, Billy Idol and more...

Check out an exclusive clip courtesy of VICE Noisey

After packing cinemas and collecting rave reviews around the world, THE DAMNED: Don't You Wish That We Were Dead is coming to home video on May 20th.

Hailed as "excellent" by Uncut, "fascinating" by The Arts Desk,and "funny, fast-moving and gloriously chaotic" by The Hollywood Reporter, the film was directed/produced by Wes Orshoski, and is the first fully authorized documentary on punk pioneers The Damned.

Ireland's Hot Press raves: "Orshoski came onto our radar with the acclaimed Lemmy documentary in 2011 [which he co-directed/produced] and has once again created a tour de force, presenting an entertaining and searingly honest depiction of the grievously overlooked punk legends."

Filmed around the globe over three years, and world-premiered at SXSW 2015, THE DAMNED: Don't You Wish That We Were Dead tells the story of the third prong in the holy trinity of U.K. punk. In advance of both the Sex Pistols and the Clash, The Damned was the first U.K. punk band to release a single (1976's immortal "New Rose"), the first to release an album ('77's frenetic Damned Damned Damned), and the first to tour America (planting their flag at CBGB in April 1977). Now in their 39th year, The Damned are the only band from London's 1976 Punk Rock Big Bang still touring the world today.

In addition to Damned founders Captain Sensible, Dave Vanian, Rat Scabies and Brian James, the film includes appearances by such one-time bandmates as The Pretenders' Chrissie Hynde, Mick Jones (The Clash) and Lemmy Kilmister of Motörhead, as well as such rock and/or punk luminaries as Nick Mason (Pink Floyd), Glen Matlock (Sex Pistols), Steve Diggle (Buzzcocks), JJ Burnel (The Stranglers), Dave Gahan (Depeche Mode), Billy Idol, Ian MacKaye (Minor Threat/Fugazi), Jello Biafra (Dead Kennedys), Keith Morris (Black Flag/Circle Jerks/OFF!), Dexter Holland (The Offspring), Jack Grisham (T.S.O.L.), and more.

Taking its name from the title-track of the Damned's 1979 album, Machine Gun Etiquette, the film charts the band's unique history, bitter infighting and legendary bad behavior (drummer Scabies is blamed for creating punk's "gobbing," or spitting, phenomenon); it takes viewers into the toilets once scrubbed by Captain Sensible and viewers follow the Damned on their world-wide 35th anniversary tour in 2011 -- with estranged band founders Scabies and James seen on screen answering that trek with a snarling celebration of their own. In a bizarre twist of fate, other former members find themselves being treated for the same form of cancer by the same doctor in the same Welsh cancer ward; elsewhere, the band's founding members are seen grappling with their legacy, and the fallout from missed and/or bungled business decisions that have kept them painfully working class for most of the past four decades.

The Arts Desk: "Where many music documentaries have a similar dynamic arc-rise, fall, rise again-Don't You Wish That We Were Dead is a fascinating, rambling saga that emanates a rich, sometimes morose, sense of what it's really like to have a whole life defined by the oh-so-brief explosion that was punk rock."

In the bonus features, Captain Sensible takes viewers on a tour of Croydon, the south London town that gave rise to the Damned, and he busks on the streets of Hollywood with actor/musician/comedian Fred Armisen, a huge Damned fan. Elsewhere, the full story of the band's involvement and eventual ousting from the Sex Pistols' fabled Anarchy in the U.K. tour of 1976 is told in detail for the first time. 

In the film, The Damned is credited with helping to ignite the punk scene in America. In 1977, the Damned were the first of the U.K. punks to play in both New York (at CBGB) and Los Angeles (at the Starwood).

In 2010, The Huffington Post's Binky Phillips recalled the band's U.S. debut at CBGB in early April 1977: "I was down at CBGB with a chip on my shoulder. My town was Punk Ground Zero.... I was, in fact, without a struggle, reduced to fan boy within 30 seconds. It was as if the entire evening proceeding them had been in black and white and suddenly we were thrust into Technicolor Oz."

The Damned kick off a West Coast tour in April, which includes two appearances at Coachella (April 16 & 23), as well as stops in San Francisco (April 14, Great American Music Hall); Solana Beach, CA (April 19, Belly Up); Pomona, CA (April 20, The Glass House); and Los Angeles (April 21, The Roxy).

The band officially kicks off its 40th anniversary tour on May 20 with a sold-out gig at The Royal Albert Hall in London.

Follow news about the film at:
   www.damneddoc.com 
   www.facebook.com/damneddoc 
   TWITTER: @damnedmovie
   Instagram: DAMNEDDOC

SCREENINGS:
April 2: New Orleans, Louisiana, Zeitgeist Arts Center, 9:30 PM
April 6: London, England, Hackney Picturehouse, 8:30 PM.
April 14-15,23: Buenos Aires, Argentina, BAFICI - Buenos Aires International IndependentFilm Fest
April 22-28, Saskatoon, Saskatchewan, Broadway Theatre, check times for each date
April 24, Kingston, New York, BSP Kingston, 6:30 PM
April 28: Houston, Texas, 14 Pews, 8 PM
April 29-30: Providence, Rhode Island, The Cable Car Cinema, 5 PM, 9 PM
May 2: Orlando, Florida, Enzian Theater, 9:30 PM
May 5: Durham, North Carolina, The Pinhook, 7 PM
May 6: Calgary, Alberta, Canada, The Globe, 7 PM, 9 PM
May 12: Toronto, Canada, Revue Cinema, 9:15 PM
May 23, 25: Edmonton, Canada, Metro Cinema

Psychological Shocker "Dementia" Makes BD/DVD Debut May 17th, 2016 from Scream Factory

DEMENTIA (2015) 

A disabled war veteran is in bad hands when his family hires the live-in nurse from hell in the intense psychological shocker Dementia. This compellingly creepy film makes its Blu-ray and DVD debut May 17th, 2016 from Scream Factory, in conjunction with IFC Midnight. Fans can pre-order their copies now by visiting ShoutFactory.com

In Dementia, George (Gene Jones, The Hateful Eight and The Sacrament) is an aging ex-soldier haunted by memories of Vietnam and struggling to reconnect with his estranged son and granddaughter. But when he suffers a stroke and is diagnosed with dementia, George is left in the care of Michelle (Halloween’s Kristina Klebe), a seemingly sweet nurse with a disturbing dark side. At the mercy of a psychopath with a hypodermic needle, George becomes a prisoner in his own home, caught in a sadistic game of cat and mouse as brutal as anything he experienced in Vietnam. In his feature debut, director Mike Testin masterfully keeps the tension mounting — until it explodes in delirious violence.

THE TEXAS CHAINSAW MASSACRE 2 (1986) (Blu-ray Review)

THE TEXAS CHAINSAW MASSACRE 2 (1986) 

Label: Scream Factory
Release Date: April 19th 2016 
Region Code: A
Duration: 101 Minutes
Audio: English DTS-HD MA Surround 5.1, Stereo 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (1.85:1) 
Director: Tobe Hooper
Cast: Bill Johnson, Bill Moseley, Caroline Williams, Dennis Hopper, Jim Siedow, Ken Evert, Lou Perryman, Chris Douridas

A decade after the original terror-classic hit the cinema director Tobe Hooper resurrected the Sawyer cannibal-clan with an offbeat sequel infused with pitch black humor and outrageous gore gags, and it didn't land well with audiences at the time. Catching up with the Sawyer clan some thirteen years after the events of the first movie we find the Texans have traded in the nightmare farmhouse for a spacious labyrinthine underground maze located beneath an abandoned amusement park. They've also gone from hacking up hippies to eviscerating '80s yuppies. Madman patriarch Drayton Sawyer is now touring Texas in a lunch truck winning chili competitions along the way. Drayton's secret to winning is simple, "don't skimp on the meat. I've got a real good eye for prime meat.".

The movie begins with a pair of douche-nozzle yuppies driving to Dallas for a wild weekend of debauchery when a pickup truck pulls out in front of them on a stretch of bridge, they're stunned when Leatherface wielding a chainsaw appears in the bed of the truck and attacks the car with his trusty chainsaw while also puppeteering a desiccated corpse, presumably that of the Hitchhiker from the first movie. We're only a few minutes in and the movie is off to a phenomenal start, setting the tone and pace with black humor and terrific gore gags with the driver losing half his head to the blade of the chainsaw. 

As it turns out the yuppies were live on-air with a local radio DJ named Stretch (Caroline Williams) during the entire scream filled encounter with the Sawyers and the horrifying incident was caught on audio tape. A former Texas Ranger named Lefty (Dennis Hopper, Mad Dog Morgan) arrives on scene to investigate the bizarre accident/deaths. You see, Lefty is the uncle of Sally and Franklin from the original movie and he won't stop until he has avenged their deaths, he's been on the trail of the Sawyers for a decade. When the audio recording comes to his attention he doesn't so much team-up with Stretch as use her as live bait to attract the attention of the sadistic cannibals, which he does by having her replay the broadcast live on air on a loop. Fearing the tape will lead to their discovery Leatherface and his 'Nam obsessed brother Chop Top (Bill Moseley, The Devil's Rejects) arrive at the radio station and terrorize the DJ who's clearly in over her head with this mess. 

Leatherface's dead-skin mask this time around is my favorite incarnation of the chainsaw wielding maniac, it looks great with the actors mouth salivating wildly beneath it, flicking his tongue along his crooked toothed mouth. Mosely as Chop Top is one of my favorite characters of any horror movie, a bizarre and skittish nut job who picks away at his mangled scalp with bent wire coat hanger, eating the tasty bits of flesh he can scratch away. He's one of the most quotable characters in any horror film, even his iconic portrayal of Otis from The Devil's Rejects is only a close second, this is definitely his signature performance in my book. Also, you cannot watch this movie and not appreciate the demented performance of Jim Siedow as Drayton Sawyer, the cantankerous and eccentric patriarch of the Sawyer family, his dialogue and delivery are creepily side-splitting, he perfectly embodies the tone and spirit of the demented production, he's the dark heart of the movie. 

At the radio station Leatherface and Chop Top terrorize Stretch, this is the stuff of nightmares, the way the scene is eerily lit with deep shadows takes it to the next level. When her producer L.G. (Lou Perryman) returns to the station from a coffee-run he gets a hammer to the skull after he finds Chop Top raiding the vinyl archives of the station. Somehow Stretch is able to use her charm to coerce the seemingly love-struck Leatherface into letting her live, Chop Top believes she's dead and the gruesome duo leave with L.G.'s corpse in their pickup. Lefty arrives a short time later and he and Stretch follow them to their underground lair beneath a condemned amusement park, where they find a nightmare carnival of macabre weirdness buried in the tunnels below. 

Dennis Hopper was fresh off David Lynch's Blue Velvet when he came onto this one and his character is nearly as as unhinged as Frank, though it is possible that during this period of drugs and excess in the '80s that the coked-up Hopper was just a nut. He would next go on to appear in River's Edge, and these three movie are probably my favorite of his. Obsessed with revenging the death of his nephew Lefty enters the underground lair with an armament of chainsaws , so you had best prepare yourself for the glory of dueling chainsaws! Hats off to the production designers for the surreal atmosphere and lighting of the underground sets, it definitely creates a surreal and nightmarish tone which is appropriate for this demented sequel, a movie that only Tobe Hopper and Cannon Films could have made together. 

The film has received criticism for straying a bit  far from the original in terms of tone and pitch, but I have always loved this damned movie to death. It's straight-up demented from start to finish, my favorite sequence being the assault on the radio station, with Chop Top and Leatherface tormenting poor Stretch. You wanna see strange, how about Leatherface mock-fucking her with his chainsaw spraying a slurry of shaved ice and Big Red soda over her face, a surreal nightmare of sexual innuendo. Caroline Williams (Contracted) screams her head off throughout, in my opinion this is one of the most memorable scream queen performances of them all, hear piercing screams always shred my nerves. Another nice touch is the reenactment the infamous dinner scene from the first movie, a nightmare scenario that comes off even creepier than the original, that grotesque makeup f/x work on Grandpa Sawyer is a thing of disgusting beauty. 

While the original is a notoriously bloodless shocker the sequel is throws the gore right in your face, dripping with grue thanks to the talents of gore f/x genius Tom Savini (The Burning) and his crew, which included Bart Mixon (Killer Klowns from Outer Space), John Carl Buechler (From Beyond), Gabe Bartalos (The Thing), Gino Crognale (The Hidden) and John Vulich (TerrorVision). When L.G. is brought back to the Sawyer kitchen they flay the skin from his legs and chest with an electric carving knife before peeling off his face and placing the dead-skin mask onto the face of an increasingly hysterical Stretch. It's an over-the-top sequel that just layers on the excess and over-acting and I love it for it.

Audio/Video: Scream Factory have gone above and beyond for this gore-drizzled sequel with not one, but two HD presentations of the movie. We have the original HD master found on the MGM Blu-ray which was supervised by cinematographer Richard Kooris, plus a brand new 2K scan of the interpositive film elements. The new transfer is nothing short of superb, the candy colored colors are vibrant with excellent contrast and deep blacks with very nice shadow detail, which is improved over the original HD master. There's also a fine layer of film grain with some very nice clarity and depth to the image, this is a wonderful new HD transfer. 

Audio chores are handled by a very capable English DTS-HD MA 5.1 option, there's also a more authentic stereo track for the audio purists. The surround mix sounds great with some nice atmospheric use of the surrounds to great affect. Both audio tracks sports excellent fidelity with a clean, crisp presentation that has some nice depth to it, plus the sweet '80s soundtrack featuring The Cramps, Timbuk 3 and The Lords of the New Church, among others, comes through clean and strong. Optional English subtitles are provided. 

Onto the extras on disc one we have a great blend of new and old stuff, this release is packed to the hilt with goodies. Those familiar with the 'Gruesome Edition' from MGM will recognize the selection of deleted scenes, image galleries, trailers and TV spots ported over for the new edition, plus both of the audio commentaries from the MGM Blu-ray with actors Bill Moseley, Caroline Williams and special effects makeup creator Tom Savini moderated by Michael Felsher, and a second with director Tobe Hooper moderated by David Gregory of Severin Films. 

Now onto the tasty new stuff on disc one, we have a new audio commentary to go along with the new trasnfer from director of photography Richard Kooris, production designer Cary White, script supervisor Laura Kooris and property master Michael Sullivan. The track is a good listen, a bit technical and not on par with the original commentaries in my opinion, but these commentaries do provide a wealth of information about the making of the movie. There's also thirty-minutes of Extended Outtakes from the 'It Runs in the Family' doc featuring never before seen interview footage with the late screenwriter L.M. Kit Carson and actor Lou Perryman. The actual 'It Runs in the Family' disc can be found on disc two. There is also a 44-minute Behind-the-Scenes Footage Compilation from Tom Savini’s personal video archives, we get to see some candid footage of the special effects being performed for film.  

Onto disc two of the set we have more new stuff and an old favorite, the old comes by way of the aforementioned 'It Runs in the Family' doc produced by Michael felsher and red shirt Pictures, the six part feature-length documentary featuring interviews with screenwriter L.M. Kit Carson, actors Bill Moseley, Caroline Williams, Bill Johnson, Lou Perryman, and special makeup effects artist Tom Savini, which is still a great watch, this is the definitive making-of doc for the movie. The new stuff begins with the House of Pain doc, a 43-minute collection of interviews with make-up effects artists Bart Mixon, John Carl Buechler, Gabe Bartalos, Gino Crognale and John Vulich, and for horror fans these behind-the-scenes peeks at the making of gore classics are always a blast, tales of creating the iconic gore gags, who worked on what, behind-the-scenes tom foolery and problems bringing these effects to film, with clips from the movie, behind-the-scenes images and video footage. 

Yuppie Meat is an 18-minute interview with actors Chris Douridas and Barry Kinyon who played the yuppies from the bridge massacre scene at the start of the film, they speak about how they came to appear in the movie and life post TCM2. I didn't realize that Douridas who played Gunner, the yuppie with the novelty glasses, was the host of KCRW's Morning Becomes Eclectic, a L.A. radio show I first heard back in '93 when Geffen records sent out a promotional cassette of Beck's performance on the show to promote the album 'Mellow Gold', which has nothing to do with the movie, but I thought that was neat. If you're a Beck fan you can stream that early performance which features a few choice rarities right here: http://www.kcrw.com/music/shows/morning-becomes-eclectic/beck-5

Up next is Cutting Moments, a 17-minute interview with editor Alain Jakubowicz who tells of how he sort of saved Tobe Hooper's Invaders from Mars in the editing room. The director worked on quite a few Canon Films during their '80s heyday, including work on Hooper's TCM2. 

Behind the Mask is an 14-minute interview with stunt man and Leatherface performer Bob Elmore who doubled for Leatherface actor Bill Johnson, appearing in many of the memorable scenes. He speaks about how Johnson couldn't lift the heavy chainsaw used in the movie and how he had to take on a larger role in the movie, admitting he is not an actor, and that Hooper yelled at him a lot to get the performances out of him.  

The last of the new extras is a new episode of Horror's Hallowed Ground with host Sean Clark, revisiting many of the locations used in the movie, most of which have been torn down and renovated beyond recognition. Honestly this was somewhat of a let down, but Clark is a witty guy and I love these location pilgrimages he does. Obviously Austin has gone through a lot of changes in the past thirty years, and it doesn't make for the best location visits but Clark and the crew do their do diligence, even heading out to Bastrop, Texas to the scene of the bridge scene and the long-gone site of the Texas Battle Land amusement park.

Separate from the disc extras we have a reversible sleeve of artwork featuring the very cool illustration fro Joel Robinson and the original one-sheet movie poster which was a send up of The Breakfast Club. Robinson's new artwork is also featured on cardboard slipcover for the standard blu keep case. 

Disc 1: The Texas Chainsaw Massacre Part Two (Brand New HD Transfer)
- NEW 2016 2K HD scan of the inter-positive film element
- NEW Audio Commentary with director of photography Richard Kooris, production designer Cary White, script supervisor Laura Kooris and property master Michael Sullivan
- Audio Commentary with director Tobe Hooper moderated by David Gregory of Severin Films 
- Audio Commentary with actors Bill Moseley, Caroline Williams and special effects makeup creator Tom Savini moderated by Michael Felsher 
- NEW Extended Outtakes from It Runs in the Family featuring L.M. Kit Carson and Lou Perryman (30 Mins)
- NEW Behind-the-Scenes Footage Compilation from Tom Savini’s archives (44 Mins)
- Alternate Opening Credit Sequence (2 Mins) 
- Deleted Scenes (11 Mins) 
- Still Galleries – posters and lobby cards, behind-the-scenes photos, stills and collector’s gallery (60 Images) HD 
- Theatrical Trailers (2 Mins) HD 
- TV Spots (3 Mins) HD 

Disc 2: The Texas Chainsaw Massacre Part Two (Original HD Transfer)
- MGM’s original HD Master with color correction supervision by director of photography Richard Kooris
- NEW House of Pain – a interview with make-up effects artists Bart Mixon, John Carl Buechler, Gabe Bartalos, Gino Crognale and John Vulich (43 Mins) HD 
- NEW Yuppie Meat – a interview with actors Chris Douridas and Barry Kinyon (19 Mins) HD
- NEW Cutting Moments – a interview with editor Alain Jakubowicz (17 Mins) HD 
- NEW Behind the Mask – a interview with stunt man and Leatherface performer Bob Elmore (14 Mins) HD
- NEW HORROR’S HALLOWED GROUNDS – revisiting the locations of the film – hosted by Sean Clark plus a special guest (25 Mins) HD 
- It Runs in the Family – a six part feature-length documentary featuring interviews with screenwriter L.M. Kit Carson, actors Bill Moseley, Caroline Williams, Bill Johnson, Lou Perryman, special makeup effects artist Tom Savini and more (84 Mins) HD 

I love TCM2, it is a gruesome and black veined terror-comedy, a full-on demented slice of weirdness and my favorite entry in the entire TCM series. It's hard to deny the horror-genius of this movie which was once panned across the board, I am pleased to see that the public opinion on this one has turned towards the positive these past few years, this is a straight-up classic. The new Blu-ray from Scream Factory is one of my favorite releases of the year so far, this is a must-own edition with a sweet new 2K HD scan and loads of awesome extras, well worth the upgrade. 4/5 

THE STUFF (1985) (Blu-ray Review)

THE STUFF (1985) 

Label: Arrow Video 
Release Date: April 19th 2016 

Region Code: A

Rating: Unrated

Duration: 87 Minutes 

Audio: Original English PCM 1.0 Mono with Optional English SDH Subtitles 

Video: 1080p HD Widescreen (1.85:1) 

Director: Larry Cohen

Cast: Michael Moriarty, Andrea Marcovicci, Garrett Morris, Danny Aiello, Paul Sorvino, Scott Bloom

When a miner stumbles upon sweet gooey white substance bubbling-up from the Earth what else can he do but slap a pretty sticker on it and market the creamy treat for mass consumption? Now calling it The Stuff the sweet treat fast becomes America's newest taste-sensation surpassing even ice cream as the premiere treat. Alarmed frozen-treat moguls band together to employ industrial saboteur David "Mo" Ruthaford (Michael Moriarty, Q the Winged Serpent) to discover just what the secret ingredient is so they can steal it for themselves and make the world safe for the ice cream producers of the world.

Yup, it's just as silly as it sounds but The Stuff is a smartly written and deftly executed satire by writer/director Larry Cohen who really sparked on a great concept with this one. Throughout you can find send-ups of classic science fiction films like The Blob (1958) and Invasion of the Body Snatchers (1978) mixed with some tasty bits of humor. Actor Michael Moriarty is a bit an eccentric person and never more so than when he teamed-up with filmmaker Larry Cohen, always over-the-top but never less than pitch-perfect in my opinion. Mo's quest for answers begin with a corrupt former employee named Mr. Vickers (Danny Aiello, Jacob's Ladder) of the FDA who first approved the Stuff for consumption. The strange encounter with Vickers and his menacing doberman pincer tip Mo off to the fact that something strange is happening behind the scenes. Turns out the Stuff is some sort of body-snatching parasite that transforms ordinary treat-seeking people into Stuff craving zombie drones.

The cast is great with Moriarty leading the charge with assist from an attractive ad exec (Andrea Marcovicci) and a trio of strange cameos from Aiello, Garret Morris (SNL) as an embittered confectioner and Paul Sorvino (Goodfelleas) as a right-wing militia nut. There's also a young kid named Jason (Scott Bloom) who early on realizes that the Stuff is dangerous and discovers that he must fend off his family who have become drones to the creepy confection. The scenes of his family trying to force the Stuff into his mouth are the stuff of surreal nightmares. The father (Robert Frank Telfin) for some reason particularly made my skin crawl, there's just something so uneasy about him. As with Q the Winged Serpent (1982) it is Michael Moriarty and his odd delivery that own the film (alongside the great effects), a wonderful mix of silliness, satire and some actual scares.

The Stuff (1985) is easily my favorite Larry Cohen entry and a quite a fun send-up of consumerism with some great special effects that uses about everything from shaving cream, ice cream and fire retardant foam to bring the Stuff to life onscreen, including some vintage stop-motion animation from the late David Allen of Puppet Master fame. Some of it might be a bit dated after 25-years but The Stuff holds up very nicely -  a classic 80's b-movie from New World Pictures and the demented mind of b-movie genius Larry Cohen.

Audio/Video: The HD transfer from Arrow Video is quite pleasing all round, framed in the original widescreen aspect ratio (1.85:1) with a natural  layer of fine film grain and with it some additional fine detail and improved sharpness. Colors are accurate and nicely saturated and there's a surprising amount of depth to the image. The English LPCM Mono 1.0 audio (with optional English subs) sounds great, with dialogue, score and sound effects coming through clean, free of distortion and is well-balanced.

Unfortunately we do not get the commentary track from director Larry Cohen from the now out-of-print Anchor Bay release (and it's not on the Image DVD either) so don't be in a hurry to trade that one in just yet. What we do get is a nearly hour long making-of doc featuring interviews with Larry Cohen, producer Paul Kurta, actress Andrea Marcovicci, mechanical makeup effects person  Steve Neill and Kim Newman, and it is a fantastic watch, if you love Larry Cohen or movie this is a treat. We also have  a trailer commentary sourced from the Trailers from Hell site with director Darren Lynn Bousman (Saw II, Saw III) espousing his love for the film.

The last of the disc extras is the original trailer and a 24-page booklet  with new writing on the gooey movie by Joel Harley, illustrated with original stills and promotional materials. There is also a sleeve of reversible artwork with original and new artwork by artist Gary Pullin. This is a  pretty great 1080p upgrade for one of my all-time favorite Larry Cohen features, the audio-visual boost is worth the upgrade alone and the hour-long doc is The stuff on top. Previously issued by Arrow as a UK exclusive the disc is now region free, which is great news for fans of the film who may not be region-free themselves.

Special Features:
- Can’t Get Enough of The Stuff: Making Larry Cohen’s Classic Creature Feature Documentary (52 Mins)
- Introduction and Trailer Commentary by The Stuff fan Darren Bousman (2 Mins)
- Original Trailer (2 Mins)
- Reversible sleeve with original and newly commissioned artwork by Gary Pullin
Collector’s booklet featuring new writing on the film by Joel Harley, illustrated with original stills and promotional materials

The Stuff (1983) is a great piece of satire with the gooey effects of The Blob (1958) and the sweet paranoia of Invasion of the Body Snatchers (1978) mixed in with Larry Cohen's unique commentary on '80s consumerism and corporate culture in America. A very high recommend, I just can't get enough of Arrow Video Blu-ray of The Stuff! 4/5

#HORROR (2015) (Blu-ray Review)

#HORROR (2015)

Label: Scream Factory I IFC Midnight

Release Date: April 5th 2016

Region Code: A

Duration: 98 Minutes

Rating: Unrated

Audio: English DTS-HD MA 5.1 with Optional English Subtitles

Video: 1080p HD Widescreen (2.40:1)

Director:Tara Subkoff

Cast: Chloë Sevigny, Emma Adler, Haley Murphy, Lydia Hearst, Annabelle Dexter-Jones,Balthazar Getty, Blue Lindeberg, Bridget McGarry, Mina Sundwall, Natasha Lyonne, Sadie Seelert, Stella Schnabel, Taryn Manning, Timothy Hutton

Synopsis: You've got followers… cyberbullying goes offline. #Horror follows a group of pre-teen girls living in a suburban world of money and privilege. But when their obsession with a disturbing online game goes too far, virtual terror becomes all too real. Chloë Sevigny (American Horror Story, American Psycho) leads an ensemble cast that includes Timothy Hutton (American Crime, The Dark Half) and Orange Is The New Black's Natasha Lyonne and Taryn Manning. This chiller, inspired by a shocking true story, is written and directed by actress/designer Tara Subkoff (The Cell, The Last Days Of Disco).

#Horror seems to be trying to tackle the very real issue of cyber bullying among the pre-teen crowd through the use of social media framed within the context of a slasher movie. We have a group of six awful adolescent girls who gather inside the pimped out glass mansion home of one of their own, they play dress-up, adorn themselves with costume jewelry, drink straight Vodka and hurl insults at one another from start to finish. All the while they snap pics on their iPhones of each other and post them on some strange mean-spirited social media site, tagging the images with hurtful things like #fatuglybitches. At first these are played off as innocuous cattiness among friends, but before long the insults begin to cut deep and young girls start crying and then dying, each of the bland murders are posted and live streamed to the same social media site garnering the much coveted likes and shares. 

I found the whole thing a bit ugly and confusing mess of a movie, the screen is lit up with annoying emoji and #tags, and the young girls are the worst sort of over privileged snots you can imagine, and hope your kids never turn into to. About the only character building is when the girls share parenting and period horror stories with each other for about a minute, and when they start dying you cannot help but sort of cheer the unidentified killer on, the world is a truly better place without them. 

And what of these young girls parents, what is their role in all this, you may be wondering. We have Chloe Sevigny and Timothy Hutton slumming it as parents of separate children, but with some sexual link between the two, and both are as annoying as their offspring. They play it over-the-top, chewing up the scenery in a fun sort of way, which I must admit I did not loathe. 

The actresses do maybe a bit too good of a job portraying bitchy pre-teen, they're full of sarcasm and hurtful insults for each other, though I cannot fault their performances, just the dire script and narrative stricture of the movie which is a hot seizure inducing mess of poor editing. Along the way we are fed details about the former owner of the glass mansion, a nutty artisan who murdered a house full of party guests back in the '60s, but whom has since disappeared, which would seem to inform the slasher element of the movie, but don't get your hopes up, by the time you figure out what the heck is happening and who the killer is you will have long since stopped carrying. On the other hand my fifteen year old daughter who enjoys horror told me it was meant for teens, not old guys, haha. 2/5